Music Composed by Cho Young-Wuk

Silva Screen 


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Award-winning composer Cho Young-wuk’s evocative soundtrack to Park Chan-wook’s adaptation of John le Carré’s classic 1983 spy novel.
Park’s visual depiction of the 1970s era is peppered with symbolic use of colour; the slightly dreamy, dissociated atmosphere of the series is disrupted by a striking palette of yellows, oranges, blues and greens as light and shade are utilised to observe the sharp contrast and clashes between characters. The visuals and storylines are mirrored and bolstered by Cho Young-wuk’s exquisite soundtrack, brimming with bitter-sweet melodies. The melodies are as strong and complex as the characters depicted.
Cho Young-wuk and Korean art-house director Park Chan-wook have proved to be one of the great composer and director pairings. Old friends and neighbours, Cho and Park’s friendship pre-dates their film careers and thus far have collaborated on internationally acclaimed Oldboy (Grand Prix winner, Cannes 2004), Lady Vengeance (2009), Thirst and The Handmaiden (2016).
Since composing the soundtrack for The Contact (1997), the first ever million-selling soundtrack to a Korean film, Cho has created over 50 film scores. Today, he is the number one South Korean orchestral film composer, scoring some of the biggest art and box office hits.

1 Acropolis
2 Charlie and the Bomb
3 Fiction Becomes Truth
4 Mystery Man
5 The Training Camp
6 Michel
7 Stairs
8 Slides
9 Salim
10 Theatre of the Real
11 Time Bomb
12 Make Yourself Comfortable
13 Reliving the Explosion
14 Gadi
15 Boom
16 Play the Scene
17 Charlie and Michel
18 Window
19 Wish Me Luck
20 Joan of Arc
21 Kiss Ride

1 Lebanon Roads
2 Michel's Letter
3 The Little Drummer Girl
4 Captain Tahey
5 The Bunker
6 Vergiss Nicht
7 Fatmeh
8 Lebanon
9 I Am Khalil
10 Cologne
11 Take Off Your Clothes  
12 Scars and Wounds
13 Charlie
14 Terror
15 The Plaza
16 Refugee Camp
17 The T Shirt
18 Seducing Khalil
19 Charlie and Gadi